![]() ![]() An associates or bachelors degree in fashion design would aid in this success. However, you don't need a college degree, but experience and love for fashion is ideal in this industry. To become a fashion designer there is training and certifications that will help you succeed in this profession. Today, most clothing is designed for the mass market, especially casual and every-day wear are called ready to wear or known as fast fashion. Some clothes are made specifically for an individual, as in the case of haute couture or bespoke tailoring. Though most clothing worn for everyday wear falls within a narrow range of conventional styles, unusual garments are usually sought for special occasions such as evening wear or party dresses. They consider who is likely to wear a garment and the situations in which it will be worn, and they work within a wide range of materials, colors, patterns and styles. įashion designers attempt to design clothes which are functional as well as aesthetically pleasing. ![]() When thinking of product quality control budget retailers use inexpensive fabrics to have a quick turn around on production, but high-end retailers will ensure that the best available fabrics are used and lots of time is utilized. This is the essence of a designer's role however, there is variation within this that is determined by the buying and merchandising approach. Their specific designs are used by manufacturers. ĭesigners conduct research on fashion trends and interpret them for their audience. Fashion designers are responsible for creating looks for individual garments, involving shape, color, fabric, trimming, and more. Due to the time required to put a garment out in market, designers must anticipate changes to consumer desires. Gundlach, Charme, Chiffon und Phantasie, 1956, © Stiftung F.C.Fashion designers work in a variety of different ways when designing their pieces and accessories such as rings, bracelets, necklaces and earrings. Alexandra Hopf developed an installation from this, which restages the garment by means of colour, movement, light, and sound. ![]() This resulted in a study of this garment, its creation, and its use. ![]() For the exhibition, the artist realises Raoul Hausmann’s ‘Oxford trousers’ as a textile object. With her textile objects and installations, Alexandra Hopf interprets historical sources, such as the Constructivist uniform clothing designed after the Russian Revolution by artists such as Varvara Stepanova, Vladimir Tatlin, and Alexander Rodchenko. The perfect combination of image and dress was achieved in a famous fashion photograph by Herbert Tobias from 1954: Surrounded by war ruins, the model Irmgard Kunde presents a magnificent evening gown by the German fashion designer Heinz Oestergaard, which is exhibited together with the photograph.įashion in Contemporary Art Rolf von Bergmann, Ohne Titel (Selbtporträt), 1978 © Berlinische Galerie / VG Bild-Kunst, Bonn 2021, Repro: Anja Elisabeth WitteĬontemporary artists such as Wiebke Siem, Ursula Sax, and Alexandra Hopf, who use clothing as sculptural or performative material, operate within the art system, although they appropriate motifs from the world of fashion. Jeanne Mammen, for example, made a name for herself in the second half of the 1920s with her watercolours depicting society scenes, which illustrate how women presented themselves fashionably on the street, in cafés, or at a masked ball. Particularly in the 1920s, fashion illustrations for the rapidly growing magazine market were an important means of expression and income for women artists. Muthesius also saw herself as an ambassador with her own clothing. She rejected the constricting corset of women’s clothing and advocated fashion that followed the natural shape of the body. In 1903, Anna Muthesius, protagonist of the reform movement in Germany, published her text ‘Das Eigenkleid der Frau’ (Women’s Own Dress). FASHION IN AND FROM IMAGES Ulrike Ottinger, Gigolo Jimmy Junot (Tabea Blumenschein), Kontext: Laokoon & Söhne, 1971 © Ulrike Ottinger ![]()
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